Decatur Presbyterian Church
Decatur, Georgia

Robert I. Coulter - Organbuilders

Opus 8 / IV - 87 / 2013
Austin Organ Comapny, Opus 2561

Decatur Presbyterian Church

Decatur Presbyterian Church

Great Organ

Manual II (CC-c4)

16' Principal (ext CH)
16' Gedeckt (POS)
8' Octave (CH)
8' Open Diapason
8' Spitz Principal (CH)
8' Gemshorn
8' Harmonic Flute
8' Bourdon
4' Octave
4' Spitz Flute
2 2/3' Twelfth
2' Super Octave
1 3/5' Seventeenth
IV Fourniture (1 1/3')
III Cymbale (1/2')
16' Trombone
8' Tromba (ext)
4' Clarion (ext)
8' Harmonic Tuba (CH)
V Grand Chorus (CH)
8' Fanfare Trompettes (SW/CH, Melody only)
Chimes (CH)
Zimbelstern
Chimes

Positiv Organ

Manual I & IV (CC-c4) / Enclosed

16' Gedackt
8' Erzahler
8' Nason Flute
8' Gedackt (ext)
8' Flauto Dolce
8' Flute Celeste
4' Principal
4' Koppel Flute
2' Block Flute
1' Sifflute
II Tertian (1 1/3' & 1 3/5')
III-IV Scharff (1')
16' Kontra Fagott
8' Krummhorn
8' Fagott (ext)
Tremulant

Pedal Organ

(CC-g1)

32' Violone (WTD)
32' Bourdon (Res)
16' Open Diapason
16' Principal (GT)
16' Bourdon (CH)
16' Bourdon Doux (SW)
16' Gedackt (POS)
16' Holz Gedeckt (GAL)
10 2/3' Quint (ext Pr.)
8' Octave
8' Spitz Principal (CH)
8' Doppel Flute (CH)
8' Flute a Cheminee (SW)
8' Erzahler (POS)
4' Choral Bass
4' Nachthorn
2' Cor d'Nuit (ext)
IV Mixture (2 2/3')
32' Contra Bombarde (WTD)
32' Contra Fagotto (WTD)
16' Bombarde
16' Trombone (GT)
16' Contre Basson (SW)
16' Kontra Fagott (PO)
8' Trompette (ext)
8' Trumpet (GT)
8' Basson (SW)
8' Harmonic Tuba (CH)
8' Fanfare Tuba (GAL)
4' Clairon (GR)
4' Basson (SW)

Swell Organ

Manual III (CC-c4) / Enclosed

16' Bourdon Doux
8' Violin Diapason
8' Salicional (slotted)
8' Voix Celeste (slotted, GG)
8' Flute a Cheminee (ext)
4' Principal
4' Flute Harmonique
2 2/3' Nazard
2' Quarte de Nazard
1 3/5' Tierce
III-V Plein Jeu (2')
16' Contre Basson (ext)
8' Trompette
8' Basson
4' Clairon
8' Voix Humane
8' Harmonic Tuba (CH)
Tremulant
V Grand Chorus (CH)
8' Fanfare Trompettes (SW/CH Chorus reeds at 8')
Chimes (CH)
Harp (CH)
Celesta (CH)

Choir Organ

Manual I (CC-c4) / Enclosed

16' Bourdon
8' Octave (PD)
8' Spitz Principal
8' Viola d'Gambe
8' Viola Celeste
8' Doppel Flute (ext)
4' Principal
4' Triangular Flute
2 2/3' Nazard
2' Doublette
2' Octavin (Harmonic)
1 3/5' Tierce
IV Choral Mixture (2')
16' Kontra Fagott (POS)
8' Trompette
8' Fagott (POS)
8' Flugelhorn
8' Clarinet (free reed)
8' Harmonic Tuba (high pressure)
V Grand Chorus (8', 4', 2 2/3', 2', 1 3/5')
8' Fanfare Trompettes (SW/CH)
Tremulant
Chimes(WTD)
Harp(WTD)
Celesta(WTD)

Gallery Organ

Floating (CC-c4)

16' Holz Gedeckt
8' Principal
8' Gedeckt (ext)
4' Octave
4' Flute Harmonique (WTD)
2' Super Octave
III Mixture (1 1/3')
8' Fagotto (WTD)
8' Fanfare Tuba (WTD)

Beginning in 2004, we were asked by Organist-Choirmaster Matthew McMahan to care for the two Austin organs at Decatur Presbyterian Church. The sanctuary organ being from 1974 and of 58 ranks. An immediate concern was the rapid deterioration of the Austin console.

A plan was soon thereafter put forward for replacement of the Austin console with a new, four manual draw knob console. This console will feature the Integrated Organ Technologies Virtuoso control system. The white oak exterior will be finished and outfitted to both blend with and enhance the sanctuary. The console will also feature Syndyne draw knob units for an elegant feel, along with tracker touch keys.

Along with the plans for a console, we began working with Mr. McMahan for revisions and additions to the tonal scheme. The instrument, while effective in the performance of some literature, needed enhancement for choral accompaniment and even for congregational singing. To that end, limited digital voice additions were made in the 1990's in an attempt to round out the ensemble.

Working in complete conjunction with Mr. McMahan, we have devised a new specification, with additions and judicious revisions to existing resources to make an instrument that is eclectic, as well as versatile and suitable for any setting. As with all of our instruments, we strive for a cohesive ensemble sound that is made of individual stops of independent character, but that all strive for a relaxed, singing style. In this manner, different colors enhance rather than compete with each other, coming together into what we believe are exciting ensemble instruments.